"Zo snel draait hij rond dat zijn armen in het warme licht even fluïde worden als de zijden doeken die danspionier Loïe Fuller ooit rond haar lichaam door de ruimte liet wervelen."
Lieve Dierckx, pzazz.theater
December 2023
"Prachtig is Sooraj Subramaniam met zijn performance vol spectaculair voetenwerk dat sterk aan flamenco doen denken..."
Jos Schurig, Scenes.nu
October 2023
"Vooral de lange Sooraj Subramaniam, een statige danser, neemt daarin de lead en dat maakt hem meteen tot de meeste intrigerende beweger van het ensemble."
Moos van den Broek, Theaterkrant.nl
October 2023
"Then like petals, the body of the dancer unfolds and spins in flux."
Sal e Marino, Fairy Powered Productions
April 2023
"Beautiful, insightful, comic and poignant this is a work full of warmth and charm."
Katie Ryan, Pulseconnects
Nov 2022
"The final dance brims with an understanding between audience and performer..."
Margaret Hooper, The Reviews Hub,
June 2022
"...mesmerising with the fluidity of his arm, hand and body movements..."
Lyn Hurst, The Local Paper
March 2021
"...his artistry so polished that he is one of the most sought after freelancers..."
Malini Nair, The Open Magazine
March 2019
"...a commanding stage presence, a sensitive face and a sculpted body..."
Sunil Kothari, Narthaki.com
February 2018
"...strong, poised lines, rhythmic precision and fierceness of attack..."
Lise Smith, Facebook for Pulseconnects
April 2017
"...managed it all with perception and humor."
Leigh Witchel, danceviewtimes
August 2016
"...he was able to show all the more clearly the curves and swaying of the torso..."
Marina Harss, DanceTabs
August 2016
"...an idol brought to life as a Pre-Raphaelite rendering of fire on the air..."
Juan Michael Porter II, Broadwayworld
August 2016
"His Odissi solo ... showed real skill and beauty."
Brian Seibart, New York Times
August 2016
"...long, elegant lines...and a supple, expressive torso."
Lise Smith, LondonDance
March 2015
"... Subramaniam was so good as his alter ego of an exotic, bejewelled and mystical bayadère..."
Graham Watts, bachtrack
March 2015
"...a charismatic performer who effortlessly holds the audience’s attention."
Maggie Foyer, CriticalDance
March 2015
“…de prachtige Subramaniam beheerst zowel Bharatanatyam en Odissi als ook klassiek ballet en moderne dans…”
Annette Embrechts, De Volkskrant
February 2015