Maṇḍala
My practice is rooted in repose and fluidity. I am drawn to ways of working that resist urgency, force, or spectacle, favouring instead slowness, attentiveness, and continuity. Rather than rushing toward resolution or impact, I am interested in what emerges when time is allowed to stretch, soften, and settle.
I tend to create works that offer space for reflection rather than seeking to moralise people, events, or ideas. Meaning, for me, is not imposed but allowed to surface through repetition, restraint, and careful attention to form. Movement becomes a site of listening as much as action—an ongoing negotiation between intention and release.
Maṇḍala grows from this philosophy. Inspired by ritual practices that privilege process over outcome, the work treats action as an end in itself. Through circularity, pattern, and dissolution, it reflects an acceptance of impermanence and an interest in harmony that is present but not possessed. What remains is not a message to be resolved, but an experience to be inhabited.